Understanding Color

Drive - The Quadrant System

ZBrush 4R7 Teaser

Mari 101 tutorial

The Freelancer's Guide to Mari from The Foundry from MAXDEPTH on Vimeo.

Fur in Houdini 13

An Artist's Approach to Fur in Houdini 13 from Andrew Browne on Vimeo.

Matthew Scott Cinematography

Matthew Scott oldala igazi kincsesbánya azoknak akik a világításért és a végleges grade-ért (kompozitért) felelősek. Nézzétek végig az egész honlapot, mert pl.: a Blog részben Roger Deakins (van aki e nevet nem ismeri?!?) munkáját elemzi a Prisoners című filmben. Vagy a Lighting rész tele van bevilágításokkal és magyarázó ábrákkal. Katt a képre.

Arnold for Maya - 101 tutorial

The Freelancer's Guide to Arnold for Maya from MAXDEPTH on Vimeo.

The Foundry Ftrack tutorial

Pudovkin's 5 Editing Techniques

Pudovkin's 5 Editing Techniques from Evan Richards on Vimeo.

Idiomatic Python tutorial

Sublime Text - 101 tutorial

Getting Started with SublimeText from TD Survival on Vimeo.

Lights Film School

Találtam egy tök jó youtube csatornát ami a filmes világításról  és a kompozícióról szól. A jobbakat belinkeltem ide, a többiért katt a képre.

Lighting Film Noir

The Basics of Lighting for Film Noir from FilmmakerIQ.com on Vimeo.

The History of Color Temperature

The History and Science of Color Temperature from FilmmakerIQ.com on Vimeo.

Maya 2014 - BonusTools

Optical Flares for Nuke

V-ray SSS2 & translucency

Tip of the Week. V-ray materials - SSS2 and translucency from EVERMOTION on Vimeo.

Mari 2.0

 

• Every channel is now a full, non-destructive, layer stack.
• Shaders now use layered channels to control every aspect of the surface look including diffuse, displacement and specularity.
• Fully updated .PSD support means MARI 2.0 works seamlessly with Adobe® Photoshop® and other paint software that reads industry standard .PSD files.
• All the control and flexibility artists know and love from 2D painting applications is now available in full 3D, directly on the model.
• Procedural Layers - A powerful procedural engine is built into the heart of the layer stack; offering fluid, GPU accelerated real time procedural noises, patterns, projections and more. Procedural layers mean artists can easily create the look they want, seamlessly blending procedural and painted detail with the same toolkit.
• Mask groups - In MARI 2.0, rather than a single mask per layer, each layer’s mask is a full layer stack in its own right. Artists can use blending, groups, adjustments and procedurals in their masks for a much more flexible, and non-destructive, workflow.
• Shared layers - We don’t think artists should have to waste time keeping track of how and where they have reused layers and masks. MARI 2.0 introduces a unique layer concept, shared layers, to ensure that artists can spend more time painting. A shared layer is one that appears multiple times in the same stack, or is shared between stacks, and is automatically and instantly updated wherever it is used.
• Streamlined layer view - With powerful grouping, tagging and filtering options, the layer view in MARI 2.0 means even highly complex stacks are easy to navigate and control.

Maya to Arnold tutorialok

Visual Pythontutor

A képre kattintva egy olyan weboldalra juttok, ami egyrészt szemléletes példák, másrészt akár a saját kódotokat beírva vizuálisan megjeleníti annak futását.